It’s been a busy summer for me, which is the reason for the fewer posts. And, admittedly, this post is not entirely within the mission of this blog, but more of a plug.
I am proud to be a lead producer on a delightful comedy called THE AVERAGE-SIZED MERMAID by promising, young writer, Jessica Fleitman that will be presented as part of The New York International Fringe Festival. I am producing the show via my company, early bird theatricals.
Truth be told, this post actually does fall partly within the scope of this blog. While I don’t see this play touring, I do see it having a future life in small professional theaters and universities, which is part of why I signed on to the project, to support a new work that I think will have life beyond the Fringe, among other reasons.
We’ve already received excellent advance press, including Linda Winer of Newsday and we are a “Voice Choice” in The Village Voice.
When producing a project, it’s important to know why you are getting involved and to really evaluate your expectations. Many have approached me over the years with a show they’re involved with that would be “perfect for touring” not knowing really what goes into getting a show out on The Road. There’s a lot of competition out there and touring a show can also be very expensive, so other options like licensing may be more realistic. Licensing, of course, will not bring in as much money as a tour does, but it also does not have the financial risks, and it is still a perfectly respectable and exciting way to get your work seen. To be published and have your play or musical licensed is a great feeling. I know that first-hand from my writing work.
So, if you’re in NYC between August 13-27, please come see THE AVERAGE-SIZED MERMAID! You’ll be able to say you saw the show first before it made it’s big “splash” out in the world at large. And I guarantee that you will have a FINtastic time.
For your easy reference, here are our performance times and venue info:
SHOW DATES: