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Archive for the ‘Film’ Category

Digital Image by Sean Locke Digital Planet Design www.digitalplanetdesign.com

Hey there, Road 101 fans! I’m back here in the blogosphere after a super busy several months during which I was completely immersed in a time-sensitive musical theatre commission, as well as deeply involved in our hectic, and, often-times dramatic New York City 2013 primary elections! For those of you who do not live in NYC, we’re in the midst of a significant change-over here, from the Mayor on down.

In addition to the work I do at BAA, I am also a member of a 501 (c)6 here in NYC called The League of Independent Theater and this election year has been crucial towards achieving our goal of helping to get candidates elected who are pro-performing arts, and who pledge to do everything in their power to help our economically and culturally vital, but ever-struggling independent theater scene throughout New York City’s five boroughs.

Being engaged in the local elections was an amazing and educational experience. Quite a few of the candidates who we endorsed won their primary races (which in the preponderance of NYC races is tantamount to being elected), and so we are excited about this being a real beginning towards sustainability, and making sure that the performing arts don’t get short shrift. I encourage everyone out there, wherever you live, to get involved during an election year. It could make all the difference to the future of the arts in your community!

LIT based its endorsements on a candidate’s willingness to commit to our 8-plank performing arts platform; if not the whole platform, then as many planks as possible. The most challenging of our planks, but one we feel is absolutely vital, asks our lawmakers to: “Implement a proposal that would reduce or eliminate property tax assessments for those non-profit organizations that have an artistic mission and/or rent performance space to similar non-profit performing arts groups with artistic missions of their own.”

Okay. Ho-hum, Whatever. What does any of this have to do with commercial theatre touring, you ask? Well, the independent theater sector in NYC is not the only sector looking for a little bit of a tax break. The Broadway League, and other stakeholders in the theatre presenting world, are currently in the midst of their own tax-credit initiative proposal that they are seeking from Albany that would incentivize touring productions and pre-Broadway productions to do their tech and initial productions in New York State. Tours have continually shown that they invigorate local economies, so it makes sense for New York State to find ways to get more productions to come and launch their tours here. Whether it was as a result of these efforts, or perhaps they saw the light on their own, Albany lawmakers via the New York State Senate’s Cultural Affairs, Tourism, Parks and Recreation Committee, chaired by Sen. Betty Little, (a committee that thankfully also includes my fabulous, pro-arts State Senator, Brad Hoylman) will be considering a kind of tax credit for these sorts of productions during the 2014 legislative session. Here are two articles on the topic:

‘On with the show, with tax credits’

‘Proctors CEO: Boost local economies with tax credits for touring Broadway shows

As you already know because you are someone who is “in the know,” or because you read my previous posts on the topic, Louisiana and Illinois have already implemented a tax-credit for touring productions, and Massachusetts may potentially be next. Or, maybe, my home state will beat Massachusetts to the punch. 🙂

But the point I want to leave you with is that theatre touring, and performing arts in general, is ultimately a business, whether it be commercial or non-profit, that benefits the economy, and every once in a while, it’s important that those of us who participate in the performing arts, whether as a booker, a presenter, a producer, an actor, a stage manager, a director a designer, etc., get a bit more pro-active on the political front, so our elected representatives remember that they need us, and that we’re not just all song and dance.

Don’t forget to vote November 5th!!!

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With the 2012 Tony Awards behind us, it is now much clearer which shows will have a tour in the 2013-14 season. Even before it’s numerous Tony wins, ONCE The Musical announced it would be going out on The Road.

I believe ONCE, though, could potentially face some challenges on The Road. The show is based on a film, but it was a small indie film, and because the title lacks the kind of name recognition that a more widely-released movie does, the show is probably going to need some sort of “sellable” name in the cast to give it a bit more of a boost in attracting single ticket buyers. ONCE will be on subscription, but being on subscription alone is no longer a guarantee that an engagement will be profitable. I believe selling single tickets will more than likely be necessary for the engagement to go into decent overage in larger theaters, more or less so depending on how reachable break-even is, what the labor costs are, the rate of the weekly guarantee, and just overall how shrewdly and economically the touring production is built.

And that is what is possibly going to be the biggest challenge – how to successfully build an intimate show for The Road that will sometimes be presented in very large houses. Yes, ONCE is now on Broadway, but the Bernard B. Jacobs Theater only has a capacity of just a little over 1,000, which practically feels like a black box in comparison to some of the gigantic houses on The Road such as in Atlanta, St Louis, Costa Mesa, Portland and Toronto. That said, it is the responsibility of experienced producers to know The Road, and to know how to build all sorts of shows to work in the many different kinds of houses throughout North America. So my concerns about the intimate and delicate ONCE fitting well in large houses could very well end up being completely quashed, which is what I’m certainly hoping for! After all, the show did make an incredibly successful transfer from New York Theatre Workshop to Broadway when many doubted that the scale of the story and overall show itself would translate in a Broadway house. Other shows making Off-Broadway to Broadway transfers have not always had such good luck.

Here is a recent article that touches a bit on ONCE and some concerns about it playing in a larger space, suggesting if the show can be persuaded to do a sit-down at a smaller theater, that this would be the ideal scenario.

I tend to agree, but I’ve been wrong before…more than once.

TORONTO STAR

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